Article on Ian Norris in ‘Lancashire Life’ from November 2011
Lancashire artists Chris McLoughlin, Ian Norris and Michael John Ashcroft all have one thing in common – they love painting in the open air. Actually it’s unfair to say they only have one thing in common because each has an undeniable passion for painting, they love landscapes and enjoy working in what the likes of Claude Monet called ‘en plein air.’
Just as Monet and his coterie of Impressionists were great advocates of this way of working so are Chris from Burnley, Ian from Walton-le-Dale and Michael from Leyland. So much so, they go out as a trio.
‘It might sound a bit deep but landscape painting is not just about painting the subject but realising the emotions as well,’ says Ian who made a conscious decision to only paint in-situ.
‘The landscape never stays still. It’s forever changing, the light, the mood, your mood is never the same two days running. I don’t knock people who work from photographs but for me I need to see and feel the subject and try to convey the feeling of the piece to the person viewing the scene as well. You might paint the same scene twice but it’ll never be the same, because something will always have changed.’
Chris, originally from Northern Ireland agrees about the constantly changing scenery, light and mood and says that en plein air painting was a natural choice for him.
‘I pretty much live outdoors,’ he says, ‘I do a lot of climbing as well so painting outdoors was a natural progression for me. My inspiration basically comes from being outdoors.’
‘I’m passionate about the English landscape and decided I wanted to become a real painter and bring the work home with me,’ laughs Michael. ‘The only way to do that was to get outside to be in the middle of it and just paint.’
While the three will go on expeditions together painting the same area they never paint the exact same scene, preferring to spread themselves, their pochade boxes – specially-designed portable wood cases with paints and an easel – balanced on tripods along the beach or fell.
They travel all over the county; one will ring the others in the morning and say: ‘I’m going painting in Southport today,’ and the others will join him. It’s as simple as that. Landscapes vary from Longridge fell to the windswept Southport beach – paintings that are often added to by bits of sand that whip up in the breeze.
‘The best thing about being a painter is the network of people that surround you,’ says Chris. ‘Painting is very intense. People often come up when they see us painting outdoors and say how relaxing, but it’s not. It’s not a job, it’s a passion, often when you start you just get drawn into it and keep going until you’ve finished. It’s our version of what athletes call being in the zone.’
Ian adds: ‘You do get wrapped up in what you’re doing but the great thing about going out with Michael and Chris is that I can bounce ideas off them. It gives you reassurance as well. Sometimes you might not like what you’ve done, one of the others will wander up and have a look over your shoulder and reassure you that you don’t need to scrape it all off and start again.’
‘For me one of the benefits of painting together is that it encourages you to go out and paint,’ says Michael. ‘Sometime you might not feel like it but as soon as one of the others call and say they’re going out painting, you go too.’
And these three are no fair-weather painters. Ian rang the other two during one of the worst storms we’ve seen in recent history to say he was painting on Southport beach and has even been found painting the River Ribble as it froze over last winter. That is, until his paints froze too.